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The Importance of Being Earnest

An Evening of Wit, Wonder and World-Class Theatre Reviewed by Kim Kaitell Few plays have achieved the enduring legacy of Oscar Wilde’s The Importance of Being Earnest, and after seeing this Stratford Festival production at the Avon Theatre, it is easy to understand why. It was an honour and a privilege to review a work that has become such a cornerstone of theatrical history. More than a century after it premiered, Wilde’s razor-sharp wit and observations about human nature remain remarkably relevant. Society may have changed its fashions, technologies, and social conventions, but our vanities, ambitions, pretenses, and foibles remain very much the same. What makes The Importance of Being Earnest so enduring is Wilde’s ability to poke fun at the absurdities of human behavior while still maintaining an affection for his characters. The humour feels timeless. The audience responded with laughter throughout the performance, recognizing the same contradictions and social games that continue to play our in modern life. It is a testament to Wilde’s brilliance that dialogue written in 1885 still feels completely relatable today. Two young men, Jack and Algernon, are on the lookout for suitable mates. Jack likes to leave his country home and spend time in the city, so he has invented a brother Earnest who is living in the fast lane and needs to be brought in line. Algernon has also invented a fake friend who is ailing and must be visited so he can travel to the country. They both take the name Earnest and unfortunately both young women, that they choose to woo, love the name Earnest, making it impossible for them to revert back to their real names.  Of course, the deception results in many problems for Jack and Algernon, creating the comedy. This production represents world-class theatre at its finest. ...
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Mary's Musings

Karen Coughlin-Melo AKA Linda Ronstadt!

Great to see Karen on stage! By Mary Alderson, June 14, 2026 It was a delight to see the beautiful and very talented Karen Coughlin-Melo in a tribute concert as Linda Ronstadt last week. We used to see Karen on a regular basis, starting in 2005, when she had a lead role in a cute little musical called Suds. Suds was presented at the Hiawatha Horse Park near Sarnia. At the time it was touted to be a future location for musical theatre, but I think Suds was the only show presented there. The next time we saw Karen on stage was also in 2005, when she starred as Belle in Beauty and the Beast at Huron Country Playhouse in Grand Bend. She performed the same role the next year at the Grand Theatre in London. She sang all the Belle songs beautifully. Also in 2006, she played Patsy Cline in the musical A Closer Walk with Patsy Cline at Victoria Playhouse in Petrolia, where she wowed the audience with her country sound.  In 2007, she was the beloved Miss Stacey, the school teacher, in Anne of Green Gables at the Grand Theatre.  Her clear, bell-like voice was perfect for the role of everyone’s favourite teacher. In 2010, she was back at Huron Country Playhouse as part of the Country Legends show, where Karen again sang some Patsy Cline favourites, among others. Later in 2010, she played the prim and proper Sarah Brown, the Salvation-Army-type woman, in the hit musical Guys and Dolls at Drayton Theatre. To finish off 2010, Karen was the Narrator in Joseph and the Amazing Technicolour Dreamcoat at the Grand Theatre in London.  Here’s what I had to say about Karen in my review: “Karen Coughlin is incredibly good as the Narrator. Her voice is in ...
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