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Piaf / Dietrich – A Legendary Affair – 2026

The Stars Shine Brightly in this Legendary Affair Reviewed by Sandi Laird The curtain rises on Marlene Dietrich and Edith Piaf – one in Germany, the other in France. It is 1960 and Dietrich’s return to Germany is met with anger by her compatriots who resent her decades-long absence from the homeland. Piaf is a shadow of her former greatness worn down by drug addition and alcoholism. The scene hints at the pairs’ lost friendship and ever simmering hostility. We move back to the 1930’s when the duo first met and formed a tight bond and friendship plus a physical relationship initiated by the bi-sexual Dietrich. Then the story unravels until Piaf’s sad death in 1963. Dietrich is rigid, sexy, confident. Piaf a tender and emotional soul seeking love and light. Yet somehow, they find common ground as Dietrich fights to maintain her status as a star while encouraging and embracing the delicate Piaf. Piaf as played by Deborah Hay is a beloved French chanteuse. She is a wounded bird who suffers love and loss, and physical challenges from accidents that lead to her addictions and ever-growing reliance on alcohol. Hay voice delivers a clear and glorious vibrato, emitting emotions deep in her heart. Hay’s rendition of Piaf’s signature “La Vie en Rose” leaves the audience in awe. Terra C. MacLeod, making her debut at the Grand, is Dietrich as I knew her from movies and videos of her stage productions. Strong, opinionated, unforgiving, relentless, but kind to the few people she loves. Burt Bacharach was her arranger, conductor, and advisor at one time and seems to be able to cut through her tough exterior. MacLeod’s presence shouts determination and perfection. Two of MacLeod’s songs stand out for me – I Wish You Love and Where Have All the Flowers ...
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Mary's Musings

Looking Back at the Best of 2025

By Mary Alderson in collaboration with Sandi Laird, Sookie Mei, Marilu Murphy, Vicki Stokes, and Hazel Fowler. Now that 2025 is behind us, Entertain This Thought has a round-up of favourite shows we saw over the year. With nominations from our team, Sandi Laird, Debbie McClure, Sookie Mei, Marilu Murphy, and Vicki Stokes, I have collected a list of those we felt were among the best. To read our reviews, just click the link on the show title. Outstanding Musical This was the year for big musicals. My favourite was Dirty Rotten Scoundrels at Stratford Festival.  Not just a hilariously funny script, the entire cast had comedy chops, and the dancing was superb. Running a close second is Annie, also at Stratford Festival.  The same fleet-footed dancers entertained brilliantly in both shows, and the orphan children were an amazing delight. And a very close third goes to Anything Goes at the Shaw Festival: Spell-binding tap dancing throughout, along with a hilarious cast. In contrast to these old favourites, Mirvish Productions gave us two new musicals. Tell Tale Harbour was a wonderful story starring Allan Doyle of Great Big Sea fame, with the story based on the movie The Grand Seduction. Mirvish also presented Bright Star, also known as the Steve Martin musical.  Martin and a partner wrote the musical which features his beloved banjo music. The touching story was presented by a great team of actor-musicians. Honourable mention goes to Jersey Boys at the Marble Arts Centre in Tweed.  While this musical is always a crowd-pleaser, this production was exceptionally well-cast and it was a delight to see this show in a small, intimate theatre.   Outstanding Comedy The Play That Goes Wrong on stage at London’s Grand Theatre was simply hilarious and the entire audience was with them, says reviewer ...
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