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Heist

Is it a Movie? Is it a Play? Reviewed by Kim Kaitell Glitzy, glamorous, edgy, sexy. The only thing missing from Heist now playing at The Grand Theatre was a high speed car chase! The moment I entered the theatre I was gob-smacked by the edifice of movie screens towering to the rafters and surrounding a black, minimalist stage floor.  The excitement set in. I am a huge fan of heist/crime/spy thrillers, and had been anticipating the opening of this very new and modern play for some time. (Heist ran only once before nearly one year ago in Calgary at Vertigo Theatre with very positive reviews.) I was curious, I’ve seen many movies and television series in this genre, but never a play. How would it be staged? About 3 years ago playwright Arun Lakra was given a challenge: take the sizzle of a Hollywood heist movie and turn it into a play for the stage. At first, he refused. How could one even approach what seemed an insurmountable task? And then one day he had an inkling of an idea and it began to grow. And then the writing began. And then he delivered. I admit I was worried that the massive Imax-type screen bracketed by a stack of multiple box screens would overshadow the presence of the actors, however once petty thief and mastermind Marvin (Devin MacKinnon) began the story telling in his lilting Irish brogue, the screens somehow magically and appropriately faded from being the main character into being a quiet backdrop. And so, the planning for the caper began. All the main characters one expects in this genre were introduced one by one, each of course with their own roles to play to succeed in the challenging robbery of a highly expensive and highly protected ruby. (I won’t give anything ...
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Mary's Musings

Looking Back at the Best of 2024

By Mary Alderson in collaboration with Vicki Stokes, Sookie Mei, Debbie McClure, Kim Kaitell and Hazel Fowler. Now that 2024 is behind us, Entertain This Thought has a round-up of favourite shows we saw over the year. With nominations from our team, Vicki Stokes, Sookie Mei, Debbie McClure, Kim Kaitell, and junior reviewer Hazel Fowler,  I have collected a list of those we felt were among the best. To read our reviews, just click the link on the show title. Outstanding Musical – It’s a tie: Something Rotten and La Cage aux Folles, both at the Stratford Festival. Stratford, of course, has built a reputation for great musicals – the best singers, dancers and actors fill their stages.  But 2024 saw two equally good musicals, both with large casts.  Something Rotten was a hilarious mockery of both Shakespeare and musicals. The crazy costumes (eggs that became omelettes?) and outstanding dancers made the show.  La Cage aux Folles was a delightful and touching story that included many laugh-out-loud moments.  A sweet family story that also takes a jab at right wing politicians, La Cage also had amazing dancers: amazing because they were men in high heels! Honourable Mention goes to The Sound of Music at London’s Grand Theatre. Reviewer Kim Kaitell points out how difficult it is for this classic musical to live up to Julie Andrews’ 1965 film that everyone knows so well.  But she says that Dominique LeBlanc stepped easily into the role of Maria, with a gentle heart, a touch of quick humour, and a mellifluous voice. The children were wonderful, and Janelle Cooper as Mother Abbess had the wow factor with outstanding vocals and stage presence. Outstanding Comedy – Again, we have a tie, and both winning plays are written by Kristen Da Silva, Canada’s own playwright with a special knack ...
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