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DRACULA: A Comedy of Terrors

A Campy and Hilarious Reimagining of Dracula Reviewed by Sandi Laird DRACULA: A Comedy of Terrors is a modern and fresh take on Bram Stoker’s gothic classic. Playwrights Gordon Greenberg and Steve Rosen reimagined the dark horror as mad cap comedy led by a seductive, handsome, narcissistic Dracula. It’s a whirlwind of characters with cast members playing multiple roles. It is confusing, enticing, titillating and flat out hilarious. Director Krista Jackson has teased out campy performances from the talented cast. Jesse Gervais is Count Dracula in a cheeky, charming, and dramatic performance. When he is on stage, all eyes are upon him. He elicits laughs and cheers from the audience. It is not just a performance on stage, he draws us in and we are as much in thrall with the seductive Count, as the characters of the play. Gervais was Ambrose Small himself in the 2022-23 production of Grand Ghosts. And the butler in the 2023-24 season’s Clue – you may recall he took forever to die in that role. It seems Gervais was born to die on the Grand stage in theatrical, scene-stealing style! Nora McLellan is memorable as Dr. Westfeldt, Renfield and others. Her transition from the calm, serious doctor to the completely wacko Renfield will make your head spin. You may know McLellan from CBC’s Son of a Critch. Constant Bernard, making his debut at the Grand, as Mina Westfield and Dr. Van Helsing is over-the-top and incredibly entertaining. Honourable mention to Reena Jolly as the beautiful Lucy and kleptomaniac Kitty, and Nathan Howe as Lucy’s spineless fiancé Jonathan, a real estate agent, who brings Dracula to Westfeldt manor. The telling of this chaotic tale brings Monty Python and Mel Brooks to mind. Director Jackson references this style as an inspiration. “This play is a whirlwind ...
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Mary's Musings

2027 Season at Blyth Festival

The Blyth Festival has announced their 2027 season. Once again, they’re championing Canadian stories, with a vibrant mix of comedy, music, true-life drama, and literary adaptation, says Artistic Director Gil Garratt. The Piano Man’s Daughter Part 1 & Part 2 by Timothy Findley Adapted by Gil Garratt June 8 – Aug 7, 2027 The 2027 season launches with two plays: the world premiere of Timothy Findley’s acclaimed novel, “The Piano Man’s Daughter,” adapted by Gil Garratt as an epic theatrical event in two parts. The two plays encompass a sweeping, music-filled family epic, “The Piano Man’s Daughter” brings to life the tangled legacy of love, longing and secrets across generations. Set against the jazz-soaked backdrop of 1930s Toronto and the humming farm fields of rural Ontario, the story follows Charlie Kilworth—a piano tuner haunted by his mother Lily’s mysterious condition and the unanswered question of his own parentage. As the Wyatt family’s fortunes rise and fall with the keys of their pianos, Lily’s mythic, otherworldly presence and her struggle for belonging ignite a journey through memory, madness, and the search for one safe place to call home. Blending theatrical spectacle, live jazz, and unforgettable characters, this adaptation is a lyrical, emotionally-charged drama about inheritance, identity, and the music that binds us all. The productions invite festivalgoers to experience a full day of theatre, with the option of a country-supper meal in the Lower Hall. Or see the two plays separately across the season. This adaptation marks a cultural milestone for Blyth, celebrating Findley’s remarkable and enduring legacy in Canadian arts. Bloom: A Rock n’ Roll Fable by Beau Dixon Music by: Beau Dixon and Dave Tough June 23 – Aug 21, 2027 Get ready for a rock n’ roll homecoming under the open sky! “Bloom: A Rock ‘n’ Roll Fable” ...
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