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Bright Star

Bluegrass Music Tells a Riveting Story Reviewed by Mary Alderson There are two things you notice immediately about the musical Bright Star, now on stage at the CAA/Mirvish Theatre in Toronto. First, although the story and music are written by comedian Steve Martin, this is not a comedy. Yes, there are funny bits scattered throughout, but the show takes a very dark turn at the end of Act I. I should also note that Martin partnered with singer Edie Brickell who wrote most of the lyrics and came up with the story, basing it on newspaper article published in the early 1900s. Secondly, you see that this is not your typical set up for a musical. There is no orchestra down in the pit, nor are they sitting at the back of stage playing their instruments. All 14 actors in the cast are playing instruments, and as we soon learn, they all play several instruments. They move about the stage playing guitars, banjos, mandolin, bass, cello, piano, fiddles, viola, drums and percussion, bugle, harmonica and accordion. These are very talented actor-musicians, and they make it seem perfectly natural to move about the stage carrying an instrument, while furthering the story with dialogue. And somehow, they put down the instrument without the audience even noticing, when they need both hands for a hug or a prop on stage. The story flows flawlessly, in spite of, or perhaps because of, the fact that the actors provide the music. It’s 1945 and young Billy Cane (Nick Nolan) comes home to North Carolina from World War II.  His friend (wannabe girlfriend) Margo (Yunike Soedarmasto) and father (Beau Dixon) greet him with the bad news that his mother has died. Billy goes to the cemetery and your eyes well up when he tells her gravestone ...
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Mary's Musings

Young Star of Annie has a Very Bright Tomorrow!

Annie By Mary Alderson “This is not your Granny’s Annie.” So says 11-year-old Harper Rae Asch, who has the role of Annie at Stratford’s Festival Theatre. By that, she means It isn’t like productions you may have seen in the past, nor is it like the movie versions. Harper knows; she has watched the various movies, and she took in the U.S. national tour version live on stage. So, in the young actor’s opinion, what makes Stratford’s Annie different? “There are lots of dance breaks, with flips and tricks,” she explains. That’s not a surprise. With Donna Feore as the Director/Choreographer, one can expect her trademark impressive dance numbers. Harper also hints that the characters’ appearances might not follow the traditional looks that were originally based on the Little Orphan Annie comic strip which debuted in 1924, Yes, Harper wears a red wig (in fact, she has two of them) but it might not look quite the same as the tousled curly bright red hair you’ve seen on past Annies, Harper was shocked and then thrilled when she was offered the iconic role in Annie, “It took a moment to process because there were so many talented children at the audition. It was a nation-wide call,” she says. Some of those girls now share the stage with her, as orphans in Miss Hannigan’s orphanage. Harper is no stranger to being on stage. At age 5, she appeared in the show, How the Grinch Stole Christmas. Since she was 9, she has been doing voice-overs for animated TV shows. “She has a career ahead of her: she’s a mini-star,” says Stratford Festival’s Publicity Director Ann Swerdfager. “She is a remarkable human being, packed with talent, and her beautiful composure and poise take her to the next level. Plus, she’s super-smart,” Swerdfager ...
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